On quick read, that all looks good to me.4odonates wrote: ↑Tue Feb 21, 2023 2:10 amMy blog post is online at the following address …
https://waltersanford.wordpress.com/202 ... alculator/
Corrections and/or suggestions for improvement are invited and welcome.
One more thing relevant to DOF... I was clicking around in earlier months of your blog and ran into the post at https://waltersanford.wordpress.com/2023/01/ , where you wrote that
I plugged your data (2.5X, f/4) into the calculator, which reports wave optics DOF of only 69 microns. I was puzzled by absence of focus banding at 200 microns, so I visited the full size image at https://waltersanford.files.wordpress.c ... ropped.jpg and zoomed in to actual pixels.Look closely at the full size version of the composite image. I don’t see any glaring “focus banding” so the 200 micron step size seems to have worked.
Zooming in made the situation clear. In fact there is lots of focus banding, at the locations that I've marked here with dots. But I agree the bands are not "glaring", partly because the random nature of the surface texture makes the bands difficult to see unless you're used to looking for them.
Playing with the setting for COC in the calculator, it turns out that to get 200 microns at 2.5X and f/4 requires a COC diameter of 0.045 mm. That is significantly larger than the classic value of 0.020 mm used for APS-C, so not very sharp.
But if you are happy with the level of sharpness indicated by 0.045 mm, then the calculator also suggests using a smaller aperture. By playing with the aperture, while leaving COC set to 0.045 mm, you'll see that the calculator reaches "Aperture is near optimum" at f/11, at which point the classic and wave optics calculations agree that you'll get over 0.500 mm DOF.
Alternatively, if you really want to shoot at 0.200 mm step size, and you also want the sharpest image you can get with that step, then the thing to do is adjust aperture so that the wave optics DOF is 0.200 mm. That happens at just a hair below f/7, call it f/8 for ease of setting. This is the aperture setting where the worst losses from diffraction and defocus are balanced. If the aperture were smaller, then the whole image would become more blurred (from diffraction), and if the aperture were larger, then the most blurred parts would get even more blurred (from defocus).
--Rik