Crocus pollen
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- Charles Krebs
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Crocus pollen
It's that time of year... a "rite of spring". The crocus popped out one sunny day and then got hammered flat by some intense rain the next. Found a couple of shots anyway.
MM-11/Oly hybrid scope, Olympus LMPLFLN 5/0.15, LED lights, Canon T3i
MM-11/Oly hybrid scope, Olympus LMPLFLN 20/0.40, LED lights, Canon T3i
MM-11/Oly hybrid scope, Olympus LMPLFLN 50/0.50, LED lights, Canon T3i
MM-11/Oly hybrid scope, Olympus LMPLFLN 5/0.15, LED lights, Canon T3i
MM-11/Oly hybrid scope, Olympus LMPLFLN 20/0.40, LED lights, Canon T3i
MM-11/Oly hybrid scope, Olympus LMPLFLN 50/0.50, LED lights, Canon T3i
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Crocus pollen
Very nice. We are a long way from seeing any crocus here in Pennsylvania.
Mike
Mike
Michael Reese Much FRMS EMS Bethlehem, Pennsylvania, USA
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How?
Fantastic pictures!!
Can you tell us how you made the first one?
I guess it is a huge number of shots in a stack?
Just brightfield or some special tecniques?
And how do you get the amazing colours?
Can you tell us how you made the first one?
I guess it is a huge number of shots in a stack?
Just brightfield or some special tecniques?
And how do you get the amazing colours?
- carlos.uruguay
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- Charles Krebs
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Thanks all for the kind remarks!
henrikfoto
Under the stage I sometimes use another light which is reflected upward using one of those cheap "right angle mirror" ("spy") camera lens adapters. (This was done in Photo #3). By varying the intensity of this lower light I can increase or decrease the amount of "backlighting".
The lights were made using LEDs with a very high CRI (97)... this might help with the color rendition (but before I made these lights it really didn't seem hard to get attractive color with the Ikea lights). Before taking pictures I set a "custom white balance" in the camera by photographing a white board placed in the subject position. It is sometimes tricky to get good range of tonalities in yellow subjects. So I try not to light them too "flat", and always check the RGB histogram to be sure I am not blowing out the red channel.
henrikfoto
The first is from a stack of 48 images. I light these "externally" using three of the LED lights I made up a while ago. Below is a very quick-and-dirty photo of the setup (in this shot I have part of a Camellia flower on the stage, but it is the same arrangement). In the upper left is the "main" light (diffuser snapped into reflector). The upper right is a "fill" light, directed through a curved section of a yogurt container placed just to the right of the subject. The intensity and angle of these lights is carefully adjusted to give the effect I like.Can you tell us how you made the first one?
I guess it is a huge number of shots in a stack?
Just brightfield or some special tecniques?
And how do you get the amazing colours?
Under the stage I sometimes use another light which is reflected upward using one of those cheap "right angle mirror" ("spy") camera lens adapters. (This was done in Photo #3). By varying the intensity of this lower light I can increase or decrease the amount of "backlighting".
The lights were made using LEDs with a very high CRI (97)... this might help with the color rendition (but before I made these lights it really didn't seem hard to get attractive color with the Ikea lights). Before taking pictures I set a "custom white balance" in the camera by photographing a white board placed in the subject position. It is sometimes tricky to get good range of tonalities in yellow subjects. So I try not to light them too "flat", and always check the RGB histogram to be sure I am not blowing out the red channel.
2nd pic looks straight from Solaris
http://www.imdb.com/title/tt0069293/
http://www.photomacrography.net/forum/u ... cean_1.jpg
http://www.imdb.com/title/tt0069293/
http://www.photomacrography.net/forum/u ... cean_1.jpg
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