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Tucson Tom
Joined: 01 Sep 2011 Posts: 26 Location: Tucson, Arizona USA
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Posted: Wed May 16, 2012 9:43 pm Post subject: Experimenting with how to use a Mitutoyo 10x Plan APO |
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A few months ago I found a decent deal on a Mitutoyo 10x Plan APO microscope objective. This week I began trying to set it up and use it. This objective, being an infinite conjugate objective, requires a relay lens, and a 200mm lens is what it is made for. To this end I purchased a couple of 200mm f/4 manual focus prime lenses. One is an FD mount canon 200mm macro f/4 lens (a great lens in its own right!). The other is a M42 mount Takumar screw mount lens. I plan to use these on my Canon EOS 5Dii camera, so I sniffed around on Ebay and purchased some adapters. The FD lens adapter can be purchased with a negative lens to allow it to focus at infinity, or without. For a multitude of reasons, the best thing is to purchase one without the lens, at least for this kind of macro work. The M42 lens is in many ways at an advantage. It will focus at infinity, and manual control of the diagram is already provided for on the lens.
I'll also note that the Canon 200mm FD macro lens is a desirable item and still commands a fairly high price. The Takumar however is an excellent lens and is readily available in the 50-100 dollar range, and you can always get lucky.
But now the main part of this post. I want to do some tests and decide which of these two candidate relay lenses will be best. And for the tests, I need a test subject. My thinking was that a flat subject with lots of recognizable fine detail would be great, and for some reason I thought of a semiconductor die. Being an electronics experimenter I have a lot of options, but chose a faulty Intel 8751 chip I had on hand.
A hammer and chisel and a 2x4, and one sharp whack ...
And it pops right open (it is a sandwich of two ceramic slabs glued together).
Also, to put the Mitutoyo 10x on the front of the lens, I bought two other items on Ebay. One is a disk-like adapter that holds the 26mm threads on the Mitutoyo and allows it to thread into 52mm filter threads. The other is a 52 to 58 mm filter adapter (these come in two flavors and you have to take care to get one of the correct "sex"). I actually have a flock of these filter adapters so I can screw around with all sorts of adaptations.
One of the first things I notice is that both combinations vignette just a little.
I am undecided which is better at this point, they are quite similar. Here are out of focus images with the Canon FD 200 on the left, the Takumar 200 on the right.
This is on a full frame camera, so for many subjects, a person could crop or fix the vignetting in photoshop. On a crop camera like the 7D, this would not be an issue at all.
Here is what we get with the Canon FD 200 macro:
Here is what we get with the Takumar 200 f/4
And here are some 400 x 400 pixel crops (unscaled) with the Canon lens on the left and the crop from the Takumar on the right. If I calculate right, these little crops are 0.256 millimeters (256 microns) on a side.
And just for fun, here is a similar area of the chip photographed with the MPE-65 set at 5x magnification and f/4. Surprisingly, even with a subject this flat, focus varies across the subject and I had to reshoot this area to get a cropped image for comparison. I think the differences in color are due to changes in ambient lighting (tungsten mixing with room fluorescents). The MPE is on the left, Canon FD in the center, Takumar on the right.
The MPE-65 image is an unscaled crop of 500x500 pixels, the two Mitutoyo images were 1000x1000 pixel crops scaled to 500x500. It is not as apparent on these images as it is here on my screen, but the Mitutoyo impressively outdoes the MPE-65 at these magnifications.
I am still deciding whether I like the Canon or Takumar better. For several reasons I would like to dedicate the Takumar to this purpose and keep the Canon 200 macro for a general purpose lens and am trying not to let that bias me.
Last edited by Tucson Tom on Thu May 17, 2012 10:40 am; edited 1 time in total |
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rjlittlefield Site Admin

Joined: 01 Aug 2006 Posts: 12561 Location: Richland, Washington State, USA
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Posted: Wed May 16, 2012 10:37 pm Post subject: |
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Tom, regarding comparison with the MP-E 65, I'd be just plain shocked if your 10X Mitutoyo did not give substantially more resolution on subject than the MP-E 65 does. Very briefly, from the standpoint of the subject the 10X Mitutoyo is running at NA 0.28 = f/1.79 effective, while the MP-E 65 at 5X is running at only about NA 0.149 = f/3.36 effective. With almost twice as wide an aperture, the Mitutoyo has a huge advantage in the diffraction department. The Mitutoyo's cutoff frequency will be almost twice as high, and it will have substantially higher contrast then the MP-E 65 at lower frequencies. See Lenses for use at 4-5X on an APS-sized sensor and Pixels for use at 4-5X on an APS-sized sensor for more discussion and illustrations on that topic.
As for the Takumar versus the Canon, your results look to me like it's about a wash. I'm not surprised by that, since sticking the Mitutoyo on front effectively stops down both of the telephotos to about f/18. I've seen numerous comparisons of various tube lenses, and my general impression is that while differences are unambiguous in head-to-head comparisons, they're seldom big enough to be noticed outside that context.
One caveat is that you really ought to make the decision based on tests done the way you intend to use the lenses. Certain kinds of aberrations become much more obvious in stacked results, so it's a bit risky to choose based on single frames. I don't see any evidence of those aberrations in the results you're showing, but if you plan on stacking, then comparing stacked results would be safer.
--Rik |
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Tucson Tom
Joined: 01 Sep 2011 Posts: 26 Location: Tucson, Arizona USA
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Posted: Thu May 17, 2012 3:23 pm Post subject: |
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| rjlittlefield wrote: |
One caveat is that you really ought to make the decision based on tests done the way you intend to use the lenses.
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Your points are well taken -- I had certainly hoped the Mitutoyo would outperform the MPE-65 -- but I want to see first hand. And I don't have the seat of the pants understanding that you do about how all the numbers translate to results (but I am learning).
And taking your suggestion above, I did my first image stack - which is going to lead to a whole new line of discussion. Here is a stack of 16 images (stepping focus about 25 microns between captures). These are crystals of the mineral Calderonite from the C and B Mine in Arizona. This is the kind of thing I am eager to photograph -- and I see something here I want to ask about. Crystals of course have flat planar faces, and these produce specular reflections, and these produce odd artifiacts as can be seen. This is a Pmax stack done with Zerene -- at this stage I don't know more than to take all the defaults. Any tips on minimizing the issues with specular reflections? I do use a diffusor on the light source, but can without doubt make improvements on how I do the lighting itself -- I am wondering what can be done, if anything, during stacking.
Taken with the Mitutoyo M Plan Apo 10x on the 200mm Takumar f/4 lens.
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Craig Gerard

Joined: 01 May 2010 Posts: 2596 Location: Australia
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Posted: Thu May 17, 2012 4:19 pm Post subject: |
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| Tucson Tom wrote: | | Here is a stack of 16 images (stepping focus about 25 microns between captures). |
Tom,
25 microns is a giant leap for a 10X objective, somewhere close to 10 micron increments would be approaching optimal due to the shallow DOF.
Specular reflections are best addressed during the imaging process, good diffusion and illumination placement, polarisation (analyzer positioned behind the objective), cross-polarisation are some applicable techniques.
Craig _________________ To use a classic quote from 'Antz' - "I almost know exactly what I'm doing!" |
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rjlittlefield Site Admin

Joined: 01 Aug 2006 Posts: 12561 Location: Richland, Washington State, USA
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Posted: Thu May 17, 2012 4:56 pm Post subject: |
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| Quote: | | Crystals of course have flat planar faces, and these produce specular reflections, and these produce odd artifiacts as can be seen. |
I'm guessing that the artifacts you're talking about are the bright streaks that I see at various angles. Those are typically caused by having a light source that covers only a small part of the hemisphere surrounding your subject. What happens in that case is that the bright specular reflections can be slow to go out of focus and move around while they're doing it. As a result, each bright spot that is a specular reflection can end up propagating into the stacked result as a trail or streak. See Reflections of hard and soft light in a spider's eye for some illustration in a different context.
There's not a lot that can be done about specular reflections during the stacking process. The streaky artifacts can be reduced by using DMap, but often at the cost of losing detail due to the software making bad decisions about what's focused and what's not.
As Craig says, the best way to attack the artifacts is to attack the reflections themselves. Typically this means completely surrounding the subject with a diffuser and illuminating the diffuser from some distance away so that the diffuser itself is more or less uniformly illuminated. What you want is for the subject to be surrounded by light, like you would be outside in a flat area on a very overcast day when you can't tell where the sun is.
--Rik |
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Tucson Tom
Joined: 01 Sep 2011 Posts: 26 Location: Tucson, Arizona USA
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Posted: Thu May 17, 2012 5:57 pm Post subject: |
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| rjlittlefield wrote: |
As Craig says, the best way to attack the artifacts is to attack the reflections themselves.
--Rik |
OK guys, thanks a million to both of you! I am on it then to attempt to get a diffusor and lighting setup to surround the subject in a sort of mini-light tent. Where is a good old styrofoam cup when you need one ....
Craigs comments about my big focus steps are not ignored either, much appreciated. I have some awkward options available to me now, and a much better method (when I get my motorized stage on the air) waiting in the wings. I was actually expecting the whole stacking process to come unglued with 25 micron steps, but overall I was pleased apart from the streaky artifacts -- maybe I don't know how much better it could be. |
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Chris S.
Joined: 05 Apr 2009 Posts: 1086 Location: Ohio, USA
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Posted: Thu May 17, 2012 11:35 pm Post subject: |
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Tom,
Interesting thread you have here. To my eye, the Canon converging/relay/telan/tube lens looks considerably better than the Takumar. But as Rik said, this may not translate to meaningful differences in real-life shooting. I wonder how it would look, a stacked comparison of the two lenses with one of your micromounts at 100 percent pixel crops, after you've done your best in Photoshop with each stack. Would the differences I think I saw in your images of the Intel chip translate to meaningful differences in the final image?
Like Craig, I think 25 microns is way too much for the Mitty 10x. But I'd go even tighter than 10 micron increments to 4.6 microns. Ten microns will work, but in my experience (with the Mitty 10x on a Nikon D200), 4.6 micron steps confer small but notable improvements. That said, your 25 micron steps were certainly not a disaster--and until you get your motorized stage going, finer steps would be a huge pain.
Broadly diffuse light, as suggested, seems a solid next step. That said, some good micromount photographs I've seen have also involved small additional reflectors to highlight particular facets. Can't say I've tried this--but I bet you will.
Cheers,
--Chris |
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ChrisR
Joined: 14 Mar 2009 Posts: 3037 Location: Near London, UK
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Posted: Fri May 18, 2012 12:26 am Post subject: |
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Paper tubes work as diffusers too, and lose less light that a styrofoam cup.
Cut a strip an inch and a half or so wide, run it over a sharp edge and it'll roll itself into a tube. More pressure + sharper edge = tighter tube.
It'll then cling to the sides of the objective - you can slide it up and down.
If you put a flash one side and a shiny ( ally foil/tape) reflector behind you'll get very flat light indeed.
For a posh version run black pvc tape around the outermost end. That holds the tube, and also stops some stray bright light bouncing up into the lens. I've found that helps with shiny minerals, You can adjust the height from which your ring of light comes at the specimen.
While I'm wittering about bits of paper - try black paper behind the specimen to reduce flare. |
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Tucson Tom
Joined: 01 Sep 2011 Posts: 26 Location: Tucson, Arizona USA
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Posted: Fri May 18, 2012 11:41 am Post subject: Lost among the equations |
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| rjlittlefield wrote: | Tom, regarding comparison with the MP-E 65, I'd be just plain shocked if your 10X Mitutoyo did not give substantially more resolution on subject than the MP-E 65 does. Very briefly, from the standpoint of the subject the 10X Mitutoyo is running at NA 0.28 = f/1.79 effective, while the MP-E 65 at 5X is running at only about NA 0.149 = f/3.36 effective.
--Rik |
Thanks for the numbers. I am eager to get a grip on these things, so don't think I don't appreciate the information and references. I do have some questions about the above.
And I am busy reading the information in the links you have provided.
I can see where you get the effective aperture of the Mitutoyo 10x from the equation
E = 1.0 / (2.0 * NA) which gives the f/1.79 number.
For the MPE, I am just plain confused. What I would do is to consider the MPE at 5X and set to the nominal f/4 aperture. Then the effective aperture would be E = F * (M+1), which would be 4 * (5+1) or f/24, and then I could convert that back to NA by inverting the E = 1/(2*NA) equation and I would get an NA of 0.021, which I cannot think is correct.
Can you straighten me out? |
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rjlittlefield Site Admin

Joined: 01 Aug 2006 Posts: 12561 Location: Richland, Washington State, USA
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Posted: Fri May 18, 2012 11:49 am Post subject: Re: Lost among the equations |
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| Tucson Tom wrote: | | rjlittlefield wrote: | | ...while the MP-E 65 at 5X is running at only about NA 0.149 = f/3.36 effective. |
For the MPE, I am just plain confused. What I would do is to consider the MPE at 5X and set to the nominal f/4 aperture. Then the effective aperture would be E = F * (M+1), which would be 4 * (5+1) or f/24, and then I could convert that back to NA by inverting the E = 1/(2*NA) equation and I would get an NA of 0.021, which I cannot think is correct.
Can you straighten me out? |
You've just run into an apples-and-oranges mixup. Your calculation is correct, but it gives the NA on the camera side. The NA on the subject side is 5X larger, that being the magnification. So the subject-side NA is 0.021*5 = 0.105. The difference between your 0.105 and my 0.149 is just that you calculated for a setting of f/4 while I calculated for the MP-E wide open at f/2.8.
--Rik |
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Tucson Tom
Joined: 01 Sep 2011 Posts: 26 Location: Tucson, Arizona USA
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Posted: Sat May 19, 2012 4:39 pm Post subject: Re: Lost among the equations |
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| rjlittlefield wrote: |
You've just run into an apples-and-oranges mixup. Your calculation is correct, but it gives the NA on the camera side. The NA on the subject side is 5X larger, that being the magnification. So the subject-side NA is 0.021*5 = 0.105. The difference between your 0.105 and my 0.149 is just that you calculated for a setting of f/4 while I calculated for the MP-E wide open at f/2.8.
--Rik |
Well, this certainly underscores how little I really understand optics. But I am learning and eager to learn (and have a couple of textbooks I am pawing through). Thanks for your patience. I never thought before that a lens could have a different NA from one side than the other (I suppose it could have a different f-stop from each side then?). I'll keep pondering this.
I am still on the trail of proper lighting to redo the image I posted. I snooped around looking for likely diffusor candidates, II saw some expensive shampoo in a bottle with just the round shape I wanted, but couldn't bring myself to pay the $18.
What I did do is buy some yogurt in the little containers -- and it turns out that MEK and a paper towel removes virtually all of the color and artwork leaving a decent diffusor. The price was right and the yogurt wasn't bad either. Experiments are ongoing with this and a new light source (with some white balance issues - I may switch to electronic flash). |
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rjlittlefield Site Admin

Joined: 01 Aug 2006 Posts: 12561 Location: Richland, Washington State, USA
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Posted: Sat May 19, 2012 5:45 pm Post subject: Re: Lost among the equations |
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| Tucson Tom wrote: | | I suppose it could have a different f-stop from each side then? |
Absolutely. Both the NA and the effective f-number represent how wide or narrow the cone of light is for a single point on the subject, as that light comes off the subject to go through the entrance pupil, and leaves the exit pupil to converge onto the sensor. The numbers are simply and intimately related: effective f-number = 1/(2*NA), and the entrance side is wider than the exit side by a factor of the magnification.
I wish you luck with those textbooks. All the textbooks I've seen manage to hide these relationships in a maze of math that seems much more effective at confusing than explaining. It was only after slogging through a lot of math several times that I finally came to realize how surprisingly simple the basic principles are.
Edited to add: The above is true only for lenses with the same medium on both sides. Immersion objectives are a bit more complicated.
--Rik |
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Craig Gerard

Joined: 01 May 2010 Posts: 2596 Location: Australia
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Posted: Sat May 19, 2012 6:26 pm Post subject: |
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Tom,
Lee Filters and Rosco make good diffuser sheets that can be formed into cylinders, cones, etc. The filters do not alter colour temperature; but don't come with yogurt
I like LeeLUX 400...as a diffuser, but it's good to have a range of options on hand.
http://www.leefilters.com/lighting/diffusion-list.html
Craig _________________ To use a classic quote from 'Antz' - "I almost know exactly what I'm doing!" |
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Tucson Tom
Joined: 01 Sep 2011 Posts: 26 Location: Tucson, Arizona USA
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Posted: Sat May 19, 2012 10:24 pm Post subject: |
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Chris S said that he thought the Canon had the edge over the Takumar. This was disturbing to me because I really wanted to NOT use the Canon 200 macro as a relay lens, since I like it a lot a a general purpose macro lens (with the FD lens adapter it won't focus to infinity, but that is neither here nor there to me). But I realized that somewhere I had a plan old FD mount 200mm f/4 canon lens that I bought on Ebay, and I managed to dig around and lay hands on it yesterday. A fellow I know said it was probably the sharpest FD lens he ever owned -- so lets see how it stacks up against the Takumar.
I will note that the FD to EOS adapter adds about 9mm of extension. And the Canon EOS body is about 2mm thicker than the old Canon manual bodies -- this adds up to about 11mm of extension that we can't do anything about. I worried about this (thinking that it might be absolutely critical that the focus be set at infinity in order to use it as a relay lens). My impression is that it simply does not matter at all. It does give a bit more magnification as you can see on the following full frame images.
Of course you can't tell much from these, so here are some unscaled crops from the left center of these images.
I should note that the FD to EOS adapter is machined better than the M42 to EOS adapter I purchased. The M42 to EOS adapter has about .0055 inches of slop on the bayonet lugs that engage the Canon body, which allows the lens to wobble just a bit. (In boxes labelled "Pixco" if you want to go with an M42 lens and avoid these adapters).. I was planning to fuss around with shims and perhaps epoxy to fix this - but I think I like the Canon lens better and will make it my standard relay.
Also note that the 10mm of extension gives about 5 percent extra magnification, making the Mitutoyo into a 10.5 x lens (as you can see in the images).
My bottom line after all this is that either lens will do a great job, but I am going to go with the Canon. This is risky to judge from one pair of images like this (albeit shot in as near identical conditions as I can manage) -- but I would say the image from the Canon lens has more contrast and color quality. Resolution wise, I would take either. |
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Tucson Tom
Joined: 01 Sep 2011 Posts: 26 Location: Tucson, Arizona USA
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Posted: Fri May 25, 2012 2:24 pm Post subject: Back again |
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I just wanted to check back in with an example of some results. After changing my lighting setup and getting the white balance right for a cheap tungsten filament "halogen" light I got at Ace Hardware, I am getting results that I am satisfied with. A diffuse light source (using my yogurt cup diffusor) made a significant difference in how photographs of crystals (with specular reflections) respond to focus stacking.
Thanks again Rik for the advice.
My notes on my fussing with white balance may be found at http://cholla.mmto.org/minerals/macro/whitebalance/ for those who might be interested.
This is the mineral Calderonite from the C and B mine in Gila County, Arizona, 2.4 mm field of view. It is a Pmax stack (via Zerene) of 64 images taken at 10 micron intervals.
The next thing I will probably do will be to experiment with the size of the focus steps and see where Zerene falls apart. Do something like 10 micron, 20 micron, 40 micron, 80 micron, and so forth in a geometric progression. Apart from discovering when stacking falls apart, I will also get some experience with what images look like when the stacking interval is too coarse. |
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